PRINT PUBLICATIONS BY VestAndPage press

The Fall of Faust -  Considerations on Contemporary Art and Art Action

By Andrea Pagnes

Florence: VestAndPage press, July 2010, Hardcover, pp. 208, 23.50 €, ISBN 978-88-90516-0-8

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La Caída del Fausto -  Consideraciones sobre el Arte Contemporáneo y Arte de Acción

Por Andrea Pagnes

Traduccion: Roberto Ruiz. Asesoramiento técnico: Nelda Ramos, Florencia: VestAndPage press, 2012

+ Descargar la versión española aquí (PDF)

I VENICE INTERNATIONAL PERORMANCE ART WEEK 2012

Hybrid Body - Poetic Body

Exhibition catalogue

With documentation of the works presented at the VestAndPage project I VENICE INTERNATIONAL PERFORMANCE ART WEEK 2012 as well as essays by Bojana Kunst, Dana Altman, Andrea Pagnes, Francesco Kiais, Gabriela Alonso, Richard Martel, Daniela Beltrani.

Venice: VestAndPage press, 2014, Hardcover, pp. 128, 83 colour images, 40.-€, Limited edition of 300

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II VENICE INTERNATIONAL PERORMANCE ART WEEK 2014

Ritual Body - Political Body

Exhibition catalogue

With documentation of the works presented at the VestAndPage project II VENICE INTERNATIONAL PERFORMANCE ART WEEK 2014 as well as essays by Arantxa Echarte, Guillermo Gomez-Pena, Andrea Pagnes, Enrico Pastore, Oleksii Polegkyi.

Venice: VestAndPage press, 2016, Hardcover, pp.208, 20 x 13 cm, 134 colour images, 40.- €, Limited edition of 300

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III VENICE INTERNATIONAL PERFORMANCE ART WEEK 2016

Fragile Body - Material Body

Exhibition catalogue​

With documentation of the works presented at the VestAndPage project III VENICE INTERNATIONAL PERFORMANCE ART WEEK 2016 as well as essays and texts by VestAndPage, Lisa Newman, João Florêncio, Francesca Carol Rolla, Małgorzata Sady, Alicia Radage, Guillermo Gómez-Peña, Francesco Kiais, Felipe Monteiro, Penzo + Fiore, Marilyn Arsem, Marcel·lì Antùnez Roca / Enrico Pastore, Janusz Bałdyga, Giovanni Fontana, Franko B, Antonio Manuel, ORLAN, Stelarc.

Venice: VestAndPage press, 2017, Hardcover, pp. 272, 20 x 13 cm, 166 colour images, 40.- €, Limited edition of 300

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Onufri XXI - SiO2 - The Reason of Fragility, Contemporary Artists Facing Glass

Exhibition catalogue

With documentation of the works presented at the exhibition curated by VestAndPage Onufri XXI - SiO2 Contemporary Artists Facing Glass at the Albanian National Gallery of Arts, Tirana: Abramović & Ulay, Chris Burden, Tony Cragg, Jan Fabre, Seamus Farrell, Joseph Kosuth, Armando Lulaj, Boris Nieslony, Yoko Ono, Jaume Plensa, Douglas Quin, Lawrence Weiner, Leonardo Cimolin, Dana Dal Bo, Andrea Morucchio, Nelda Ramos, Ermal Baboçi & Lindita Doçi, Klodian Deda, Eros Dibra, Oltsen Gripshi, Shqipe Jonuzi, Sead Kazanxhiu, Ermela Teli.

Tirana: Albanian National Gallery of Arts and VestAndPage press, 2017, Hardcover, pp.192, 20 x 13 cm, 75 colour images, ISBN 978-9928-4355-1-4.

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"Temporary Artistic Community"

By Andrea Pagnes & Verena Stenke

 

First published on III Venice International Performance Art Week 2016, Venice: VestAndPage press, 2017

+ Download as pdf

"MayDay: The Workshop Concept"

By Andrea Pagnes & Verena Stenke

 

VestAndPage press, 2009, Paperback, pp. 8

+ Download as pdf

"Plantain: How We Walk With Time"

By Andrea Pagnes & Verena Stenke

Film research, 2015

 

To remember is likewise dancing with the mind between myth making, truth and forgetfulness. [continue reading]

sin∞fin – Performances at the End of the World

By Andrea Pagnes & Verena Stenke

VestAndPage press, 2010

DVD & Film textbook

Standing (up), sitting (on a chair), lying (on the bed), sometimes even waiting for what is going to happen; and yet to be perfectly aware that what is going to happen as somehow already happened. A body enclosed in a circle seems to be waiting always for something, inside of which it may happen, or always makes an effort to become 'something'.

+ Download as pdf: EnglishEspanol汉语

sin∞fin – Performances at the Holy Centre

By Andrea Pagnes & Verena Stenke

VestAndPage press, 2011

DVD & Film textbook

Yet, still flaws in the system. Modernity's great promise, the freedom from fear, now lies in ruins. Fear as medium, not as message. Fear as collateral effect, force behind progress. Fear as refuge, home, style, character, tradition. Fear to take a chance, scoring the aces, that plays and wins, caressing, embarrassing. Fear manages. Fear rocks. My fear begins where someone else fear ends. 

+ Download as pdf: English | हिंदी 汉语

sin∞fin – Performances at the Core of the Looking-Glass

By Andrea Pagnes & Verena Stenke

VestAndPage press, 2012

DVD & Film textbook

In reality, 90% of the time here is spent on pure survival. I don't know how many of my friends have fallen down crevasses, and the crevasses killed them. Three. Three from my class have fallen down crevasses. 

+ Download as pdf: English | Espanol | Italiano  | 汉语

SIGNUM

By Andrea Pagnes & Verena Stenke

VestAndPage press, 2018

Film textbook

+ Download as pdf:  English | Español | Catalán

ONLINE ACCESS

 

Recommended reading for Intensive Class students:

+ VestAndPage  Temporary Artistic Community (PDF)

+ VestAndPage • Performance Opera (PDF)

+ VestAndPage • Creative Dynamic Breathing (PDF)

+ VestAndPage • Overview of the Senses (PDF)

 

RESEARCH CATALOGUE

Selected texts by VestAndPage as free pdf downloads.

Repertório Livre

"Considerations on Pain and Suffering in VestAndPage's Performance Art"

By VestAndPage, Felipe Henrique Monteiro, Amber Rose Ellis, Aisha Ryannon Pagnes.

Salvador, ano 22, n.32, p.266-300, 2019.1

Loïe. Revista de danza, performance y nuevos medios

"Letter to a Young Mother. Imagine Home."

An edited collection of writings from VestAndPage's performance cycle HOME.

Andrea Pagnes about Franko B's Because of Love and Open Letters

Andrea Pagnes responds to Franko B's Because of Love, published by Live Art Development Agency, and speaks with him through Open Letters.

With this book, Franko offers us his direct testimony of how vital is for an artist to draw inspiration from the hardest life struggles and transform them into a magmatic material to create thought-provoking, genuine art where the personal becomes universal. [continue reading]

Loïe. Revista de danza, performance y nuevos medios

"COLLECTIVE SIGNATURES First Edition – Letters from Formentera" 

Letters to a young independent curator by Verena Stenke (VestAndPage), Guillermo Gómez-Peña and Francesca Carol Rolla

 

Please challenge me. Challenge me to step out into the unknown, for we know what we know and we don’t know what we don’t know. Challenge me to use mediums and methods that are unfamiliar to me. Challenge me to go on a journey together without knowing where to, trusting that we know the path as we’re going it. [continue reading]

"KONTEKSTY 2018 – A Place, Foreign Bodies and the In Situ Principle"

Essay by Andrea Pagnes (VestAndPage)

 

It is also for this reason that the Sanatorium, together with its natural park chiselled by trees and a large Jugendstil fountain now occupied by emerald grass, turf and tiny plants instead of springing water, is indeed one of the most inspiring, fascinating and engaging places where to perform and show ephemeral works. Here, the various meanings of performance are wielded by this space that influences them with its history and mutilated beauty, and so the artists’ expressions. [continue reading]

 

CORPOS DIFERENCIADOS EM PERFORMANCE

eds. Felipe Henrique Monteiro Oliveira & Nara Salle

With an essay by Andrea Pagnes

Universidade Federal do Rio Grande do Norte, 2018

KONTEKSTY  – Konteksty w "Kontekstach"

With an essay by Andrea Pagnes "Stan" sztuki performatywnej i czym ona w ogole jest?"

Warsaw: Art Institute of the Polish Academy of Sciences, 2017

Issue Nr.4 (319) ISSN 1230-6142, pp. 63-68

UNBOUND

Guest editor, Andrea Pagnes

 

Andrea Pagnes is part of the series of guest editors for the UNBOUND Newsletters. He has chosen 14 titles on stock at UNBOUND, which offer an insight into some of the artists that have participated live and/or exhibited in the three editions of the Venice International Performance Art Week. These exclusive and related publications are an address to all those who wish to know more about the art and life of these incredible artists. [continue reading]

MEURAL 

Spot, Episode 11: 11-0602 TCX Snow White by Andrea Pagnes & Verena Stenke

 

It makes the shard round, is wholly without attachment, one with everything. Pellucid, the Antarctic ice bears the appearance of permanence, reducing all questions inevitably to humbleness, silence, acceptance, and finally absence. Inside and outside lose their gaps and edges. [continue reading]

LIVE ART DEVELOPMENT AGENCY

"Ron Athey in conversation with Andrea Pagnes"

 

Live Art Development Agency make exclusively available a conversation between Ron Athey and Andrea Pagnes. This dialogue between the two artists includes a discussion around the issues and concerns of contemporary performance art as well as an in-depth focus on the work of Ron Athey, past and present, with additional notes by the editor Lisa Newman. [continue reading]

STUDIO RESEARCH #3

"Two Bodies in Space. Durational Performance: The Quest for Authenticity in the VestAndPage Experience"
By Andrea Pages

 

Practice teaches us to distinguish between being awake and sailing into oblivion. Acting with total resolution is to enter into the sphere of the inner silence, while awareness changes the automatic sense of time created by the surface of the mind. This means to wake up, honour, and make our presence sacred, because this is of primary importance. We don't need anything else to enter into the abode of darkness to achieve and increase our essence. We only need to practice relentlessly, inflexibly, and inexorably. [continue reading, pp. 4-16]

STORIE Cultural Magazine

"Planet India - Interviews by Andrea Pagnes"

 

• Abha Iyengar – Poetry and the Power of Commitment

To get out of the morass of obscurity and non-existence, education is the only answer. This is especially required for women, and this is my strong belief. But not only women, men require education as well, to get rid of the frustrations of not having knowledge and means to move upwards. It is a known fact of course that whatever provisions the government makes for the underprivileged get siphoned off by the middle men, those with political and social clout, and nothing reaches those for whom it was initially intended.

 

• Cybermohalla Ensemble – A Search for the Eleventh Question

Who will produce the imagination for where we stay, where we live? What are the boundaries of this "where": and do they exist? In Hindi the word for "where" is jahan, which also means "world". How does thought extend between these two ideas of jahan? What will our resources for thinking this be? How many can participate in this unknown search, in which one has no way of knowing what she might find, or invent?

• Avtar Singh – My Writing? A Map for Tomorrow's Children

Delhi informs everything I do and write. ... I'm just a writer: as an artist, didn't you find this city just full of potential? Its colours, its smells, the way people press about you on the sidewalks and in the trains... Everything there is a story, in itself. This city's bursting with material, it's a seam that's in no danger of getting tapped out any time soon. I'm just surprised more people aren't mining it.

How We Teach Performance Art: University Courses and Workshop Syllabus

Edited by Valentin Torrens. Outskirts Press, July 2014. 

Paperback, pp. 338. 22.46$, ISBN-10: 147873194X

 

VestAndPage are among the 42 authors of this publication about approaches to transmit the generative source of creativity in live action by internationally experienced practitioners, teachers and theorists of performance art. 340 pages full of ideas, points of view, methodologies, sensitivities, exercises and proposals to enjoy live practice with deeper involvement, immersion, knowledge and study. [continue reading]

La Casita de mis Suenos

 Edited by Maricela Guerrero. Alumnos47, Yolia N.G.O., VestAndPage.

Mexico City: Alumnos47, May 2014. Hardcover, pp. 181. 

 

A comprehensive publication of collected writings and drawings about fear, dreams and desires authored by girls of Yolia N.G.O., Mexico City, which have been realised during VestAndPage's 2012 workshop Fear is Fear. Love is Love as part of Alumnos47 curatorial project Proyecto Liquido, curated by Jessica Berlanga Taylor.

Artleaks

"Spaced. Art Out Of Place. The experiences of the Free University of Liverpool and the Cybermohalla project as examples of alternative education" by Andrea Pagnes (pp. 97-109)

 

Paradoxically, by over-producing artist statements and often assuming them as a best way to emerge from a condition of anonymity, artists also undergo a form of external surveillance, nourishing that 'watch-over you' system that rules, and that artists simultaneously criticise and strive to change. [continue reading pp. 97-109] [download as pdf]

Routledge: Performance Research
A Journal of the Performing Arts

"Antarctic Dream – Ice as Architecture of the Human Spirit" by Andrea Pagnes & Verena Stenke

 

Out there, we were constantly living in a state of paradox. To question continuously our Self to understand which art actions we should have made to render our purpose at its best begun to become almost nonsense: anything, and with it our existences, were just... [continue reading]

STORIE ex libris 01/2014

"Did I get it? – Storia di un traduttore" di Andrea Pagnes [Italian]

 

Storia di un traduttore 'perduto' più che mancato, "Did I get it?" è la spassosa, romantica epopea di un neolaureato che ottiene udienza dall’editoria che conta, all’alba degli anni ’90. Fa appena in tempo a scrutare nella figura di Marcella Bassi (alla Garzanti), l’artigianalità, il coraggio e la lungimiranza di coloro che hanno reso grande la nostra tradizione editoriale mentre gli viene assegnata la traduzione di Ripley Bogle dell'allora debuttante scrittore irlandese Robert McLiam Wilson. [continue reading]

Art&Education

"Reconfiguring Think Tanks as discursive, social model in Contemporary Art" by Andrea Pagnes

 

People have interests and worries about their private life, from the activities they need to engage in, to private relationships and ideals they want to strive for. There are also public interests that derive from living within a community, where one's own aspirations can be cultivated, where security and justice can be found. [continue reading] [download as pdf]

HESA InprintIssue 16 "Phobia/Fobia"

"IT" by Andrea Pagnes

 

I'm still wondering. Why so? Is it for I'm simply scared to die?

I don't remember the scream for being scared when I was born. A good scare sometimes is worth more to a man than a good advice. [continue reading]

HESA Inprint

"Without Tuition" by Andrea Pagnes

 

The prose "Without Restraint" portrays a father under hallucinatory visions due to heroin abstinence, and the consequent injection of another dose to alleviate his mental and physical debilitation. The plea of his daughter is almost unheard, drawn into the sea of indifference that the addiction produces inside him. [continue reading]

Research Catalogue

"Considering the Nature of the Poetic Image and its Performativity" by Andrea Pagnes

 

It is more or less accepted that in the moment of the performance, the performer steps to his/her higher self. S/he tends to create another type of reality for the audience to enter, and, of course, for him/her as well, becoming a mediator and carrier of signs. [continue reading]

Research Catalogue

"Radical Transparency and Eco-Intelligence in Contemporary Performance Art" by Andrea Pagnes

 

There are performance artists whose creativity draws on a cutting-edge research to reveal and illuminate apparent inconsistencies in human response to various kind of crisis (private, public, political); others who seem instead to direct their creative efforts to introduce new approaches on how to feel and think about different aspects of human life (social, domestic, nomadic) through their practice; and others who adopt radical transparent working methods to approach possible solutions... [continue reading] [download as pdf]

Art&Education

"Body Issues in Performance Art: Between Theory and Praxis" by Andrea Pagnes 

 

It is a discipline that moves along the interface that exists between an action that just refers to itself, and a live art work intended not just as a mere 'corpus of actions', but mainly as possible instrument of expression and communication, aimed to create or decipher a particular experience. 

[continue reading]

RE-tooling RESIDENCIES

"Reconfiguring Think Tanks as Discursive, Social Model in Contemporary Art" by Andrea Pagnes

People have interests and worries about their private life, from the activities they need to engage in, to private relationships and ideals they want to strive for. There are also public interests that derive from living within a community, where one's own aspirations can be cultivated, where security and justice can be found. [continue reading]

972ART

"Defiling by Art: Contamination" by Andrea Pagnes & Verena Stenke

 

The capability to transform, to modify, 'to wove and unravel' like Penelope, to unmake and remake in order to re-create, even though stemming from the constant survival tension, and therefore under-going a continuous metamorphosis due to permanent stimulation and the inspiration, tributary to human talent and to the solutions that one has to find and shape time after time – is what animate the research of vitality of contemporary cooperativeness, as well as the spirit of the nowadays Homo Oeconomicus. [continue reading]

972ART

"The Continuity of Becoming" by Andrea Pagnes & Verena Stenke

 

There are doubtless fears of various types associated with going beyond certain taboos when we are dealing with themes such as spirituality, religion, and the area of the soul. It is the fear of losing control. And yet it is only when you abandon your self-control that you arrive at new forms of vision. In fact, when fear of the unknown makes room for confidence, then change and innovation are possible. [continue reading]

972ART

"The Meaning of Art Truth" by Andrea Pagnes & Verena Stenke

 

Many deal with art in the world. And many of these paint, sculpt, draw and make installations, using all sorts of media. Few, in reality truth, aim for or obtain appreciable results.... Cultural globalisation, which has indeed brought benefits, also led to an impoverishing of culture itself. [continue reading]

Masters of Today

"Letter to an artist" by Andrea Pagnes

 

Picture it! It is as if someone – which I never knew - has abruptly rang my bell, warning me that soon I’m going to get lost, drifting away for this oppressive silence that lasts inside myself forever. A silence always equal to itself, although capable to change the surface in various different ways. A silence ingrained into this past of mine that seems to me so strange, so vague. [continue reading]

 

SELECTED INTERVIEWS

Veditu

"Thinking about Performance Art"

Venice, 2018 | Italian - English

My Art Guide

"On the Venice International Performance Art Week"

By Giulia Capaccioli, Venice, 2016

 

Libreriamo

"Torna la Venice International Performance Art Week"

By Isotta Esposito, Venice, 2016 | Italian

 

Performance Is Alive

"Artist Feature: VestAndPage"

By Quinn Dukes, New York, 2015

 

Rivista PASSPARnous n.2 - TEATRO

"Conversazione con Andrea Pagnes e Verena Stenke"

By Enrico Pastore, Venice, 2015 | Italian

Artribune

"Venice International Performance Art Week. L’intervista ai curatori"

By Amalia Nangeroni, Venice, 2014 | Italian

Artnoise

"Ritual Body – Political Body. II Venice International Performance Art Week"

By Celeste Ricci, Venice, 2014

 

VIVO Media Arts Centre

"On the film trilogy sin∞fin – A conversation with VestAndPage"

By Jeremy Todd, Vancouver, 2014

 

Excelsior

"Performance recrea al Museo del Chopo"

By Sonia Avila, Mexico City, 2013 | Spanish

 

Big Red & Shiny

"The Higher state: An Interview with VestAndPage"

By Alexis Avedisian, Boston, 2013

 

Personal Structures Vol.2

Interview with VestAndPage

By Valeria Romagnini / European Cultural Centre, Venice, 2013

Performa Magazine

"Venice International Performance Art Week"

By A. E. Zimmer, New York, 2012

 

Giornale Sentire

"VestAndPage: Corpo Ibrido, Corpo Poetico"

By Emilio Luzza, 2012 | Italian

 

Il Manifesto

"La militanza? E' tattile e fisica"

By Teresa Macrì, 2012 | Italian

 

Centro Cultural Ricardo Rojas

"Sobre la pelicula sin∞fin – Proyecto Antártida"

By Raul Manrupe, Buenos Aires, 2012 | Spanish

 

Now Delhi

"Open Minds"

By tahska, New Delhi, 2011

© 2019 VestAndPage