The feature-length film based on the month-long performance walk.
HOME Cycle of Performance Operas
Performance cycle currently developed on VestAndPage's 2017-2019 tour as collective performance operas with stations in Italy (Reggello, I Left My Story Home); Greece (Thessaloniki, AEGIS VI); Serbia (Belgrade, After the Fear); Poland (Sopot, Mother); Belgium (Ostend, I Am Just Going Outside); Germany (Frankfurt, Capital); Austria (Steindorf, House), Italy (Venice, Anam Cara), Spain (Formentera, O'Torre), Latvia (Riga, All and None), Germany (Bad Rappenau, Here&Now), South Korea (Gwangju, May 2020), and further chapters and venues to be announced.
Temporary Contemporary, Huddersfield, UK
December 2-20, 2019
Screening of Plantain in occasion of the exhibition Windows into Worlds
University of Huddersfield, Huddersfield, UK
December 11, 2019
An artist talk by VestAndPage in occasion of the exhibition Windows into Worlds
Venice International Performance Art Week, Venice, IT
January 8-18, 2020
VestAndPage present and tutor the 12-days Co-Creation Live Factory Residency Classes, as well as four days of live performance program and exhibition Dissenting Bodies Marking Time, including a screening of Plantain.
ArtEZ University of the Arts, Arnhem, NL
February 3-14, 2020
Master's in Theatre Practices Module Workshop Bodies of Dissent
April 18, 2020
New performance in collaboration with Andrigo&Aliprandi in occasion of Colpo al Corpo – Festival della Performance Art
Chosun University, Gwangju, SK
May 17-23, 2020
Performance of the HOME Cycle and exhibition in occasion of Global Art Together: Face to Face
Venice International Performance Art Week, Venice, IT
May 27 - June 5, 2020 • SAVE THE DATE
ART WEEK Summer Class 2020, C32 performing arts work space, Venice, IT
ONGOING
Venice International Performance Art Week, Venice, IT
VestAndPage are the conceivers, initiators and main force behind the international live art exhibition project and residential educational program taking place since 2012 in historic premises in Venice.
VestAndPage are part of the AHRC-funded research network ROCK/BODY - Performative Interfaces Between The Geologic And The Body in partnership with the British Geological Survey
VestAndPage are making space for performance art and contemporary art practices in Southern Germany in collaboration with the non-profit cultural association EntrAxis e.V.
sin∞fin Trilogy | Video On Demand
VestAndPage's performance-based film trilogy sin∞fin (2010-2012) is available as Video On Demand from VUCAVU
VESTANDPAGE CORE CONCEPTS
Download as PDF
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The Poetics of Relations – A Manifesto on performance-based filmmaking
NEW PUBLICATIONS
PANCH - Mapping Europe
Interview by Gisela Hochuli with Andrea Pagnes (VestAndPage), 2019.
Ephemera Journal of Theatre and Performance Studies - Dossier Antonin Artaud
"MIRRORING THE DOUBLE AND THE CRUEL- Living, Uncaging, Offending, Celebrating, Analysing: considerations on a few artistic experiences that echoed Artaud’s thought", ed. Federal University of Ouro Preto, Brazil, Luciana da Costa Dias, Vol 2, No 3 (2019): Dez 2019.
Repertório Livre
"Considerations on Pain and Suffering in VestAndPage's Performance Art", Salvador, ano 22, n.32, p.266-300, 2019.1.
Loïe. Revista de danza, performance y nuevos medios
"Letter to a Young Mother. Imagine Home." An edited collection of writings from VestAndPage's performance cycle HOME.
Andrea Pagnes about Franko B's Because of Love and Open Letters
Andrea Pagnes responds to Franko B's Because of Love, published by Live Art Development Agency, and speaks him through Open Letters.
The Raft – Art is (Not) Lonely
Jan Fabre, Joanna De Vos, et al. Exhibition catalog. Oostende: Lannoo, 2018. Hardcover, pp. 320. ISBN 978-94-014-48611. The sequel to Jan Hoet's The Sea, including works of art by 75 artists.
Loïe. Revista de danza, performance y nuevos medios
"COLLECTIVE SIGNATURES First Edition – Letters from Formentera" Letters to a young independent curator by Verena Stenke (VestAndPage), Guillermo Gómez-Peña and Francesca Carol Rolla.
Corpos Diferenciados em Performance
eds. Felipe Henrique Monteiro Oliveira & Nara Salle
Universidade Federal do Rio Grande do Norte, 2018
With an essay by Andrea Pagnes.
