Best Experimental Film at PixelsGARAGE
Awards of Excellence 2021
A new series of videos in which we host conversations under existential focus with people from the arts, culture and science
We are currently in production of our performance-based feature film on Deep Time at the interface of body art and science
Our current performance cycle is being developed since 2017 as collective performance operas
An autobiographical performance text about the home of pathogens in the primate body in pulmonary tuberculosis
How to inhabit the cæsura
Development of pandemic-conform live art workshop methodologies
2021, Performance-based film
Exploring memory layers and Deep Time in human history and the geological. In caves of human prehistory at the caves of the Swabian Alb, the project brings together artists and researchers from the humanities, social and geologic sciences to investigate the human body as a place that exists in continuity with the geological. Body artists illuminate concepts of time, past and modern human cultures through performances for camera in caves. These poetic body images are nourished by documentary elements in the form of conversations with specialists from the fields of archaeology, palaeontology, geology, speleology, art history, philosophy, and time psychology.
Art, Body, Geology, Time, History, Science, Documentary
1 9 Monologue
2020, Letters from isolation
While many in Europe consider it to be long since eradicated, it still presents the deadliest pandemic worldwide. In the Romantic period, it was epitome of muse and poetry and a popular motif in painting, literature and music. The talk is of tuberculosis. In July 2019, atypically, the young German artist Verena Stenke was diagnosed with pulmonary tuberculosis. Her own experience of being as a body home to pathogens, flows into this autobiographical performance text, while building a bridge between precise self-observation and a global, historical and literary outside.
1 9 Monologue
Letters from isolation
In development, Video series
VestAndPage host conversations under existential focus with inspiring people from the arts, culture and science. In the form of shared contemplations, these dialogues search not to battle through opinions, but to raise crucial questions. They aspire to not accept any answer as ultimate, to allow for uncertainty, and to converge on a ground in which shared knowledge is the base for continuous queries. Essential questions on existential concerns dig into the place of action in daily life. They touch subjects of humanity such as time, care, dualisms, love, transformation, consciousness, or nature.
Art, Documentary, Zeitgeist, History, Philosophy, Science, Dialogue
FILM AND PERFORMANCE SCREENINGS
Starting October 31, 2020
VestAndPage / Venice International Performance Art Week curate the 20-week long Performance Art Film Program as part of the Performance Art Program at MoCAB directed by Marta Jovanovic.
22 November and 10 December 2020, for 24 hours starting from 20:00 (CET)
24-hours VOD streaming of Plantain
7 December 2020, for 24 hours starting from 20:00
24-hours VOD streaming Amor and Psyche (In Times of Plagues)
April 5 and 12, 2021, 16:00
Performance Art Film Program
Apr 5, 2021: Screening of Plantain
Apr 12, 2021: Screening of ANAM CARA – Mirror in the Mirror
Online streaming of Amor and Psyche (In Times of Plagues) in occasion of 52vids x Ibrida
19 May (7pm) to 21 May (9pm)
Butohpolis, Warszaw, PL
Online Poland premiere screening of Plantain
Screening of SIGNUM and sin∞fin - Performances at the Core of the Looking-Glass
The VENICE INTERNATIONAL PERFORMANCE ART WEEK presents the public premiere screening of ANAM CARA - Mirror in the Mirror.
RECENT WRITINGS ABOUT VESTANDPAGE
The essay includes an in-depth review of our performance-based film work sin∞fin in Antarctica. Performing Landscapes – Performing Ice ed. C. Philpott, E. Leane and M. Delbridge, New York: Palgrave Macmillan, 2020, ISBN 978-3-030-47388-4.
RECENT WRITINGS BY VESTANDPAGE
Andrea Pagnes & Verena Stenke, Revista digital Acciones al Margen #2, ISSN 2711-2241, pp. 44-73.
Our manifesto as video article on the Journal of Embodied Research, 3(1), 3 (26:55). DOI: http://doi.org/10.16995/jer.37.
Andrea Pagnes, "On Disability Culture, Performing Arts, Social Theatre and the Practice of Beauty", ed. Federal University of Ouro Preto, Brazil, Luciana da Costa Dias, v. 3, n. 5, maio/agosto 2020
Andrea Pagnes, "Schiebt nicht Deutschland die Schuld zu (Teil 1)", Nr. 68, August/September 2020. Andrea Pagnes on the resurgence of anti-German sentiment in Italy during the pandemic.
VestAndPage's considerations on the work of performance artists during the Covid-19 pandemic, L'INFORME webzine, July 22, 2020.
Part 1 – Il performer è assente
Andrea Pagnes' consideration on the Covid-19 pandemic, Live Art Development Agency | Blog, April 1, 2020.
"MIRRORING THE DOUBLE AND THE CRUEL – Living, Uncaging, Offending, Celebrating, Analysing: considerations on a few artistic experiences that echoed Artaud’s thought", ed. Federal University of Ouro Preto, Brazil, Luciana da Costa Dias, Vol 2, No 3 (2019): Dez 2019.
"Considerations on Pain and Suffering in VestAndPage's Performance Art", Salvador, ano 22, n.32, p.266-300, 2019.1.
Universidade Federal do Rio Grande do Norte, 2018
Work overview and interview with VestAndPage about their works in Argentina 2010-2012, Argentina Performance Art, April 2020.
Interview by Gisela Hochuli with Andrea Pagnes (VestAndPage), 2019.
Founders and main force behind the international live art exhibition project and residential educational program taking place since 2012
AHRC-funded research network ROCK/BODY - Performative Interfaces Between The Geologic And The Body in partnership with the British Geological Survey
Making space for performance art in Southern Germany
VestAndPage's performance-based film trilogy sin∞fin (2010-2012) is available as Video On Demand from VUCAVU