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BOOK
Pagnes Andrea (2024) Notes from Isolation – A Logbook from the Old Continent. London: Live Art Development Agency. Preface.
Pagnes Andrea (2016) La Caída del Fausto - Consideraciones sobre el Arte Contemporáneo y Arte de Acción. Traduccion: Ruiz, R. Asesoramiento técnico: Ramos, N. Buenos Aires: IUNA Visuales and Venice: VestAndPage press.
Guerrero Martia, Stenke Verena, Pagnes Andrea (eds) (2014) La Casita de mis Suenos. Mexico City: Alumnos 47.
Pagnes Andrea (2010) The Fall of Faust - Considerations on Contemporary Art and Art Action. Florence: VestAndPage press. ISBN: 978-88-905161-0-8.
Pagnes Andrea (2010) Mayday: VestAndPage Workshop Concept and Theory. Florence: VestAndPage press.
Pagnes Andrea (2006) Corpo 1 Prologo. Firenze: Quaderni Isole Comprese Teatro.
Pagnes Andrea (1991) L'arte del manifesto e della litografia nell'opera di Marc Chagall. Milan: Master International Art.
Pagnes Andrea (1991) Azione Poetica. Ragusa: CDE.
Pagnes Andrea (1988) Verso Samain. Venice: Helvetia.
Pagnes Andrea (1987) Uno Studio sugli Affreschi di San Giovanni Decollato. Venice: Helvetia.
BOOK CHAPTER
Forthcoming
Pagnes Andrea, Stenke Verena (2025) Home. In Body, Jean (ed). Provocations on Home, Place and Belonging Through Arts-Based Research. Routledge Advances in Art and Visual Studies.
Pagnes. Andrea, Monteiro, Felipe (2025) Two chapters for the IFTR compendium.
Pagnes, Andrea (2025) Performance Art: possibilities and limits of the biological body. In Johnson, P, Parry, S and Senior, A (eds.) The Routledge Companion to Performance and Science. London: Routledge.
Pagnes, Andrea (2018) Evolution. In De Domizio Durini, Lucrezia. Post Evolution: L’Unità nelle Diversità. (pp. 51-55). Turin: Il Quadrante.
Pagnes, Andrea (2018) Uma Meditação sobre a Arte de Performance e Corpo Diferenciados. In Monteiro O, F, Salles, N Corpos Diferenciados em Performance. São Paulo: Fonte Editorial. 19–73.
Pagnes, Andrea and Stenke, Verena (2017) Temporary Artistic Community. In Andrea and Stenke, Verena (eds) 3rd Venice International Performance Art Week: Fragile Body – Material Body. Venice: VestAndPage press. 13–43.
Pagnes, Andrea (2016) On Performance Art, the Body and the Political. In Pagnes, Andrea and Stenke, Verena (eds) 2nd Venice International Performance Art Week: Ritual Body – Political Body. Venice: VestAndPage press. 89–106.
Pagnes, Andrea (2014) Andrea Pagnes & Verena Stenke: MayDay. In Torrens, Valentin (ed.). How We Teach Performance Art. Milton Keynes: Outskirts Press. 269–278.
Pagnes, Andrea (2014) On the Nature of the Poetic Image and its Performativity. In Pagnes, Andrea and Stenke, Verena (eds) 1st Venice International Performance Art Week: Hybrid Body – Poetic Body. Venice: VestAndPage press. 33–54.
Pagnes, Andrea (1996) Interviews with Massimo Cacciari and Franco Rella. In Saetti, L (ed). Appuntamenti con la Filosofia II. Milan: Giancarlo Politi Editore. 137–152.
PEER-REVIEWED JOURNAL ARTICLES
Forthcoming
Pagnes. Andrea and Stenke, Verena (2025) Breathwork in VestAndPage Performance Practice. Performance Research.
Pagnes, Andrea (2025) IN TIMES OF PLAGUES: A Conversatorium between Andrea Pagnes (VestAndPage) and Guillermo Gómez-Peña. Ephemera Journal of Theatre and Performance Studies.
Pagnes, Andrea (2025) VestAndPage’s performance operas: Dreaming space–time alternatives through body-based performance actions and sound". Performing Ethos: International Journal of Ethics in Theatre & Performance Volume 15, Issue 1. https://doi.org/10.1386/peet_00067_1.
Pagnes, Andrea and Stenke, Verena (2025) momentum VII: How to Celebrate Differences? Andrea Pagnes in conversation with Amelia Jones. Performing Ethos: International Journal of Ethics in Theatre & Performance Volume 15, Issue 1. https://doi.org/10.1386/peet_00073_7.
Stenke, Verena and Pagnes. Andrea (2025) STRATA – A performance-based film on Deep Time in the body and the geologic. UnderCurrents: Journal of Critical Environmental Studies, 22, 45–71. https://doi.org/10.25071/2292-4736/40389.
Pagnes, Andrea (2025) VestAndPage’s performance operas: Dreaming space–time alternatives through body-based performance actions and sound. Performing Ethos: An International Journal of Ethics in Theatre & Performance. https://doi.org/10.1386/peet_00067_1
Pagnes. Andrea (2024) Di pelle e tagli. Traiettorie e sconfinamenti della Body art. Il Corpo 7/24, 90-129. ISSN: 2279-929X.
Monteiro Felipe and Pagnes Andrea (2024) We Do Not Need Pity. We Need Opportunities: Considerations of a Performer with Differentiated Body. In V. Glørstad, T. P. Østern, T. McCaffrey, K. Chikonzo & N. Chivandikwa (eds) Theatre and Performing Arts, Disability Citizenship and Community Development – Perspectives from the Global South and North. Cappelen Damm Akademisk. 87–107.
Monteiro Felipe and Pagnes Andrea (2024) The Aesthetics of Invasion: Differentiated Bodies in Performance Art. Performance Research. https://doi.org/10.1080/13528165.2023.2272522
Pagnes Andrea (2023) ANAM CARA: Bodies in Absence | Surviving Performance Practices in Light of the Pandemic. Ephemera Journal of Theatre and Performance Studies, 6(11).
Pagnes Andrea et al (2023) Embodying the Difference – Performing the Experience: On Performance and Disability. Pitagorás500 Journal. https://doi.org/10.20396/pita.v13i00.8673444
Pagnes Andrea and Stenke Verena (2023) Et anima est sanguis et sanguis est anima: VestAndPage Blood Writing. Performance Research, 28. 22-26. doi: 10.1080/13528165.2023.2222353.
Pagnes Andrea (2023) Bodies in Dissent Between the Political, the Private and the Technological. Repertório, 1(39). doi: 10.9771/rr.v1i39.46758.
Pagnes Andrea (2023) Corpo Ibrido, Modificato, Mutante, Aumentato, Interfacciato. Note su ORLAN e Stelarc. Il Corpo 6/23, 90-129. ISSN: 2279-929X.
Pagnes Andrea, Stenke Verena, Quin Douglas and Disley Daz (2023) STRATA: The Research Process in the Making of a Performance-Based Film. Performance Matters 9(1–2):88–138. ISSN 2369-2537.
Pagnes Andrea (2022) A Very Simple Piece: Goldilocks 23332: A One-to-one Mentoring Experiment about the Margins and Limits of Individualised Methodology for a Unique.Need Artist. TXAI Journal 1(2):149-168. ISSN: 2764-0612.
Pagnes Andrea (2022) Temporary Artistic Communities: The Case Model of the Venice International Performance Art Week. KAYLLA Revista del Departamento de Artes Escenicas, 1:69-96, doi: 10.18800/kaylla.202201.004.
Pagnes Andrea (2022) (Non Abbiamo Idea di) Come Diventare Internet-based Performance Artists. Il Corpo 5/20. 92-199. ISSN: 2279-929X.
Stenke Verena and Pagnes Andrea (2020) Poetics of Relations – A Manifesto on Performance-Based Filmmaking. Journal of Embodied Research. 3.1. doi: 10.16995/JER.37.
Pagnes Andrea (2020) On Disability Culture, Performing Arts, Social Theatre and the Practice of Beauty. Ephemera Journal of Theatre and Performance Studies. 3(5):92–127. ISSN: 2596-0229.
Pagnes Andrea (2019) Mirroring the Double and the Cruel – Living, Uncaging, Offending, Celebrating, Analysing: considerations on a few artistic experiences that echoed Artaud’s thought. Ephemera Journal of Theatre and Performance Studies. 2(3):29–54. ISSN: 2596-0229.
Pagnes Andrea and Monteiro Felipe (2019) Considerations on Pain and Suffering in VestAndPage’s Performance Art. Repertório Journal. 1(32):266–300. doi: 10.9771/r.v1i32.26578.
Pagnes Andrea (2015) Two Bodies in Space: Durational Performance: The Quest for Authenticity in VestAndPage Experience. Studio Research. 3. 4–17. doi: 10.22501/rc.206891.
Pagnes Andrea and Stenke Verena (2014) Antarctic Dream – Ice as Architecture of the Human Spirit. Performance Research. 18(6):71–80. doi: 10.1080/13528165.2013.908059.
Pagnes Andrea (2014) SPACED, ART OUT OF PLACE: The Experiences of the Free University of Liverpool and the CyberMohalla Project as Examples of Alternative Education. ArtLeaks Gazette. 2. 1–15.
Pagnes Andrea (2012) Reconfiguring Think Tanks as a Discursive, Social Model in Contemporary Art. Art&Education and Re-tooling Residencies.
Pagnes Andrea (2011) Sobre la Representividad del Cuerpo en Fuga. Revista Experimenta.
Pagnes Andrea (2011) Body Issues in Performance Art: Between Theory and Praxis. Art&Education.
EXHIBITION CATALOGUES
Pagnes Andrea and Stenke Verena (2021) Im Schilde. Venice: VestAndPage Press.
Pagnes Andrea and Stenke Verena (eds) (2017) III Venice International Performance Art Week: Fragile Body – Material Body. Exhibition Catalogue. Venice: VestAndPage press.
Pagnes Andrea and Stenke,Verena (eds) (2017) Onufri XXI - SiO2 - The Reason of Fragility, Contemporary Artists Facing Glass. Exhibition Catalogue. Tirana: Albanian National Gallery of Arts. ISBN 978-9928-4355-1-4.
Pagnes Andrea and Stenke Verena (eds) (2016) II Venice International Performance Art Week: Ritual Body – Political Body. Exhibition Catalogue. Venice: VestAndPage press.
Pagnes Andrea and Stenke Verena (eds) (2013) I Venice International Performance Art Week: Hybrid Body – Poetic Body. Exhibition Catalogue. Venice: VestAndPage press.
Pagnes Andrea (2011) Radical Transparency & Eco-Intelligence in Contemporary Performance Art. In Tina B. The Prague Contemporary Art festival. Exhibition catalogue. Prague: Vernon Gallery. 8–13.
Pagnes Andrea (2011) David Dalla Venezia. Exhibition Catalogue. Venice: Manni Art Gallery.
Pagnes Andrea (2008) Schaller: Künstlerprofil. In D Marzona (ed) Schaller. Exhibition Catalogue. Trieste: Navado. 27–30.
Pagnes Andrea (2008) Guardando dall’Alto. Exhibition Catalogue. In Emma Hill (ed) The Invisible City. London: EMH Arts. 46–47.
Pagnes Andrea and Bianconi Riccardo (2001) Vasi Comunicanti. Exhibition Catalogue. Verona: Numero Uno Design Center.
Pagnes. Andrea (2001) Fragile Beauty: Contemporary Artists Facing Glass. Exhibition Catalogue. Verona: Numero Uno Design Center.
Pagnes Andrea (2000) Dinamiche. Exhibition Catalogue. Venice: Rossella Junck Gallery.
Pagnes. Andrea (2000) Fabio Cardoso. In Fabio Cardoso. Retrospettiva. Exhibition Catalogue. Padova: Chinchio. 8–10.
Pagnes Andrea (org) (1997) Europarte. Bevilacqua La Masa Foundation, XVLII Venice Biennale. Venice: Arsenale Ed.
Pagnes. Andrea (coord) (1997) Sarajevo. Exhibition catalogue. Querini Stampalia Foundation, XVLII Venice Biennale. Venice: Arsenale Ed.
Pagnes Andrea (1996) Il Giardino degli Dei. Exhibition Catalogue. Venice: Ateneo San Basso, B&S Art Gallery.
Pagnes Andrea (1996) Mirror Shades. In T Nelsson, Untrue. Exhibition Catalogue. Milano: Edizioni Tintoretto. 20–50.
Pagnes Andrea (1995) No Winner but Light. In Paternoster. Exhibition Catalogue. Cologne: Hochhaus. 30.
Pagnes Andrea et al (1995) La Stanza degli Sguardi. Exhibitions catalogue. Venice: Grafiche Veneziane.
Pagnes Andrea (1993) Ferita da Taglio. In Mauro Sambo. Apparente Controllo del Tempo. Exhibition Catalogue. Venice: Grafiche Veneziane, 1993. 38-39.
Pagnes Andrea (1993) Elementi per la realizzazione di un’idea. In Andrea Pagnes, Entraxis. Exhibition Catalogue. Venice: Grafiche Veneziane, 5–12.
Pagnes Andrea (1992) Corale. Exhibition catalogue. Venice: Bevilacqua La Masa Foundation and Supernova Edizioni.
Pagnes Andrea and Mlecko Martin (1991) A Manifest against the Yugoslavian War. Concept, layout and text. Reproduced by Der Spiegel.
De Grandis Paolo and Pagnes Andrea (org) (1990) 39 Illustratori sovietici: II° Biennale del libro illustrato per l'infanzia. Exhibition catalogue. Venezia: Teatrio.
Pagnes Andrea (1990) Schichtenzettel: Schacht Manifest. Dichten und Denken. Gewissenserfassung. In Martin Mlecko et al Glück Auf. Exhibition catalogue. Munich: Popa Verlag. 6–12.
Pagnes Andrea (1990) Die Zerstörung des Idealen | Mensch. Natur. Kunst. (Fragmente). In Martin Mlecko et al Oberhalb der Baumgrenze. Exhibition catalogue. Munich: Popa Verlag. 12–28.
MEDIA / COLUMNS / OTHER
Pagnes Andrea (2024) VestAndPage's Collective Performance Opera: A eutopian gaze for planetary coexistence. Loïe Revista no.15.
Stenke Verena (2023) Laura Haas geb. Brunner – Faktensammlung und Zeitkritik. Neckarsulm und Neckarsulmer: Geschichte und Geschichten, Stadtarchiv Neckarsulm, 8.
Pagnes Andrea (2022) Il rapporto con il pubblico tra seduzioni digitali e spostamenti reali. Che Fare– PUBLIC / Biella: Accademia Unidee.
Pagnes Andrea (2022) Fehler. Fehlschlag. Gut. HANIX Magazin - FALSCH! 78. 26–27.
Stenke Verena and Pagnes Andrea (2022) Poética de las Relaciones – Un manifiesto sobre el cine basado en el performance por VestAndPage. El Rizo Robado 25.
Pagnes Andrea (2022) Global vs. Local. HANIX Magazin – lokal/global. 77. 26–27.
Pagnes Andrea (2022) El performer está ausente. El Rizo Robado 24.
Pagnes Andrea (2022) Über Credo et Fides. HANIX Magazin – Glaube. 76. 62–65.
Pagnes Andrea (2022) Antarctic Dream — Excerpts from the Logbook. Antarktikos: Mapping Nature, #1, 2021–2022. 66–69.
Pagnes Andrea (2021) Freiheit. Was ist die Bedeutung? Einen freien Hals haben? HANIX Magazin – Fragile, handle with care, 75. 26–27.
Pagnes Andrea (2021) Demokratisierung der Machtverhältnisse in Kunstinstitutionen. HANIX magazine - Hmmm… 74. 22–23.
Pagnes Andrea (2021) On Performance Art in Turkey. Performistanbul Publications.
Pagnes Andrea (2021) Freedom is relational. Video lecture. Untitled Festival.
Pagnes Andrea and Stenke Verena (2020) HOME – Ciclo de performances por VestAndPage. Revista digital Acciones al Margen. 2. 44–73.
Pagnes Andrea (2020) Schiebt nicht Deutschland die Schuld zu. (Teil 2). HANIX Magazin - Will es wissen. 69. 58–62.
Pagnes Andrea (2020) Schiebt nicht Deutschland die Schuld zu. (Teil 1). HANIX Magazin - Blickt voraus! 68. 62–65.
Pagnes Andrea and Stenke Verena (2020) Non abbiamo idea di come diventare Internet-based performance artists. L'INFORME webzine.
Pagnes Andrea (2020) Amidst the Spreading: A Chronicle from the (Old) Continent. Live Art Development Agency.
Pagnes Andrea et al (2019) Letter to a Young Mother: Imagine Home (Collective Poetry). Loïe Revista 04.
Pagnes Andrea (2019) Reading, Because of Love. With an open letter to Franko B and his response. Live Art Development Agency.
Pagnes Andrea (2018) Konteksty 2018: A Place, Foreign Bodies and the In Situ Principle. Konteksty Postartistic Congress Sokolowsko. In Situ Contemporary Art Foundation.
Pagnes Andrea (2017) Stan’ sztuki performatywnej i czym ona w ogole jest? KONTEKSTY – Konteksty w Kontekstach. Issue 4, 319. Art Institute of the Polish Academy of Sciences. 63–68.
Pagnes Andrea (2017) 14 Titles Break-down. Guest editor. Unbound.
Pagnes Andrea and Stenke Verena (2016) Spot, Episode 11: 11-0602 TCX Snow White. MEURAL.
Pagnes Andrea (2015) After the Experience - A Road to Pagan Sanctity. On Ron Athey’s performance Incorruptible Flesh: Messianic Remains. Unbound.
Pagnes Andrea (2015) Ron Athey in conversation with Andrea Pagnes. Live Art Development Agency and Storie Literary Magazine.
Pagnes Andrea (2015) Performance art: the issue of the body, theory and practice. Part 2, transl. in Vietnamese: Pham Long. My thauât Journal 3(7):90–96.
Pagnes Andrea (2015) Performance art: the issue of the body, theory and practice. Part 1, transl. in Vietnamese: Pham Long. My thauât Journal. 2(6):89–95.
Pagnes Andrea and Stenke Verena (2015) Plantain – How We Walk with Time. EX NUNC Journal. 0.
Pagnes Andrea (2014) Planet India. Interviews with Abha Iyengar, Avtar Sing and the CyberMohalla Ensemble. Storie Literary Magazine.
Pagnes Andrea (2014) Did I get it? Storie Literary Magazine.
Pagnes Andrea (2012) IT. HESA imprint - Ph/Fobia. 16. 22–25.
Pagnes Andrea (2012) Without Restraint. HESA inprint - Addiction / Riippuvuus. 14.
Pagnes Andrea (2011) Defiling by Art: Contamination. 972 Art - Art and Culture Arena, 2011.
Pagnes Andrea (2011) The Meaning of Art Truth. 972 Art - Art and Culture Arena.
Pagnes Andrea (2010) The Continuity of Becoming. 972 Art - Art and Culture Arena.
Pagnes Andrea (2010) On the Ethical and Social Role of Art. 972 Art - Art and Culture Arena.
Pagnes Andrea (2009) Lydia Lunch: Paradoxia. Book review. Storie Literary Magazine.
Pagnes Andrea (2009) Jerry Stahl: Permanent Midnight. Book review. Storie Literary Magazine.
Pagnes Andrea (2006) Letter to an Artist. MOT Masters of Today.
Pagnes Andrea (2003) Collected Essays. Medialworks.
Pagnes Andrea (1992) Tra l’acqua e la pietra. In Mariano Apa (ed). Laboratorio. Artisti a Fossato di Vico. Milan: Electa Mondadori. 144–146.
Pagnes Andrea (1991) Im Schacht. Dichtung. Westzeit.
Pagnes Andrea (1990–2015). Various articles for Flash Art and Flash Art International.
Pagnes Andrea (1989) La Poesia di Ugo Stefanutti. Annuario dell’Ateneo Veneto.
SELECTED INTERVIEWS
Veditu
"Thinking about Performance Art"
Venice, 2018 | Italian - English
"On the Venice International Performance Art Week"
By Giulia Capaccioli, Venice, 2016
"Torna la Venice International Performance Art Week"
By Isotta Esposito, Venice, 2016 | Italian
"Artist Feature: VestAndPage"
By Quinn Dukes, New York, 2015
Rivista PASSPARnous n.2 - TEATRO
"Conversazione con Andrea Pagnes e Verena Stenke"
By Enrico Pastore, Venice, 2015 | Italian
"Venice International Performance Art Week. L’intervista ai curatori"
By Amalia Nangeroni, Venice, 2014 | Italian
"Ritual Body – Political Body. II Venice International Performance Art Week"
By Celeste Ricci, Venice, 2014
"On the film trilogy sin∞fin – A conversation with VestAndPage"
By Jeremy Todd, Vancouver, 2014
"Performance recrea al Museo del Chopo"
By Sonia Avila, Mexico City, 2013 | Spanish
"The Higher state: An Interview with VestAndPage"
By Alexis Avedisian, Boston, 2013
Interview with VestAndPage
By Valeria Romagnini / European Cultural Centre, Venice, 2013
"Venice International Performance Art Week"
By A. E. Zimmer, New York, 2012
Giornale Sentire
"VestAndPage: Corpo Ibrido, Corpo Poetico"
By Emilio Luzza, 2012 | Italian
"La militanza? E' tattile e fisica"
By Teresa Macrì, 2012 | Italian
"Sobre la pelicula sin∞fin – Proyecto Antártida"
By Raul Manrupe, Buenos Aires, 2012 | Spanish
"Open Minds"
By tahska, New Delhi, 2011
FILM POETRY
Poems of the performance-based film, video and live performances by VestAndPage
COLLECTIVE POETRY
SOUND POETRY
Poetry recordings of the performance-based film, video and live performance work by VestAndPage
1- Las Niñas de Yolia is a spoken word recording by Mexico City street girls telling about their dreams and fears. It has been produced for the 24-hour live durational performance Fear vs Love vs Fear, commissioned by Fundación Alumnos47, Mexico City (MX) on the occasion of Proyecto Liquido. Miedo in June 2012.
2 - (HOME) The Raft is a poetic recollection of splinters of memory along remote journeys. It mixes historical accounts of Sir Robert Falcon Scott's 1910 "Terra Nova" Antarctic expedition with VestAndPage's own diary entries during their one-month stay in Antarctica. It includes hydrophone recording (courtesy Douglas Quin) of Weddell seals callings under the sea. The spoken word poetry recording has been produced for the live performance opera The Raft (HOME) as part of the HOME cycle on the occasion of The Raft - Art is (not) Lonely, Fort Napoleon, Ostende (BE) on March 10, 2018.
3 - A-U-R-U-M is a musical piece for Creative Dynamic Breathing.
With Kassim Bayatly (Chants), Andrea Pagnes (Breath), Verena Stenke (Composition), Florence (IT), 2010
4 - CROSSING is a haiku and poetry about the "going".
The spoken word poetry recording has been produced for the video poetry CROSSING, winner of La Parola Immaginata Video Poetry Prize (2009) and Nassauer Kulturpreis (2011)
5 - EAU=O is a poetic lingering around transformation and instability.
The spoken word poetry recording has been produced for the live durational performance Endangered Species, held at Frassinagiodiciotto, Bologna (IT) on the occasion of ArteFattaPezzi - Arte Fiera Off, January 2008.
6 - SUITEnovus is a poetic circumferencing of existence.
The spoken word poetry recording has been produced for the live one-to-one performance in a hotel suite SUITEnovus, held at Artur-o Il Must, Grand Hotel Minerva, Florence (IT) in 2009 and TINA B., Mandarin Oriental, Prague (CZ) in 2010.
7 - Speak That I Can See You is a poetic invocation of our fears.
The spoken word poetry recording has been produced for the live durational performance ritual Speak That I Can See You, originally premiered at Ali Pasha Castel, Porto Palermo, AL in the occasion of ArtKontakt, August 2007, and Kosovo Contemporary Art Gallery, Pristine, in the occasion of Mulliqi Prize 2007, December 2007
8 - No More Idols: All and None is a poetic collage of German and English text elements of Friedrich Nietzsche's Thus Spoke Zarathustra, layered on the soundscape piece ...sibilava tra i denti... by Mauro Sambo & Matilde Sambo. The spoken word poetry recording has been produced for the live collective performance opera No More Idols: All and None (HOME X) as part of the HOME cycle on the occasion of No New Idols Festival | Sculpture Quadrennial Riga at Tu jau zini Kur, Riga (LV) on May 30, 2019.
9 - Fragen an Domenig is a series of questions to the Austrian Brutalist architect Günther Domenig, developed during our one-week artist-in-residency at durch:formen, Domenig Steinhaus, Steindorf am Ossiacher See (AT). The spoken word poetry recording has been produced for the concluding live performance NonHouse | Yet | This House (HOME VII) of the HOME cycle of performances, on October 9, 2018.