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WRITINGS BY VESTANDPAGE ONLINE
Routledge: Performance Research: A Journal of the Performing Arts
"Antarctic Dream – Ice as Architecture of the Human Spirit"
by Andrea Pagnes & Verena Stenke
Out there, we were constantly living in a state of paradox. To question our Self continuously to understand which art actions we should have made to render our purpose at its best begun to become almost nonsense: anything, and with it, our existences were just... [continue reading]
STUDIO RESEARCH #3
"Two Bodies in Space. Durational Performance: The Quest for Authenticity in the VestAndPage Experience"
By Andrea Pages
Practice teaches us to distinguish between being awake and sailing into oblivion. Acting with the total resolution is to enter into the sphere of the inner silence, while awareness changes the intuitive sense of time created by the surface of the mind. This means to wake up, honour, and make our presence sacred because this is of primary importance. We don't need anything else to enter into the abode of darkness to achieve and increase our essence. We only need to practice relentlessly, inflexibly, and inexorably. [continue reading, pp. 4-16]
KAYLLA Revista del Departamente de Artes Escenicas
"Temporary Performance Artist Communities – The Case Model of the Venice International Performance Art Week"
By Andrea Pagnes
Dossier "Artes escenicas y generacion de dialogo en tiempos de crisis", Num. 1 (2022) DOI https://doi.org/10.18800/kaylla.202201.004
"Poetics of Relations – A Manifesto on Performance-Based Filmmaking"
By Andrea Pagnes & Verena Stenke
Our manifesto as video article in 3(1), 3 (26:55). DOI: http://doi.org/10.16995/jer.37.
Spanish: "Poética de las Relaciones – Un manifiesto sobre el cine basado en el performance", El Rizo Robado, no. 25, March 2022
Ephemera Journal of Theatre and Performance Studies
"On Disability Culture, Performing Arts, Social Theatre and the Practice of Beauty"
By Andrea Pagnes
Dossiê Corpos e Deficiência em Cena, ed. Federal University of Ouro Preto, Brazil, Luciana da Costa Dias, v. 3, n. 5, maio/agosto 2020
Ephemera Journal of Theatre and Performance Studies
By Andrea Pagnes
Dossier Antonin Artaud, ed. Federal University of Ouro Preto, Brazil, Luciana da Costa Dias, Vol 2, No 3 (2019): Dez 2019.
"Considerations on Pain and Suffering in VestAndPage's Performance Art"
By VestAndPage, Felipe Henrique Monteiro, Amber Rose Ellis, Aisha Ryannon Pagnes.
Salvador, ano 22, n.32, p.266-300, 2019.1
Performing Landscapes – Performing Ice
The essay includes an in-depth review of VestAndPage's performance-based film works sin∞fin in Antarctica. ed. C. Philpott, E. Leane and M. Delbridge, New York: Palgrave Macmillan, 2020, ISBN 978-3-030-47388-4.
Antarktikos #1 - Mapping Nature
Antarctic Dream — Excerpts from the Logbook
By Andrea Pagnes & Verena Stenke
Excerpt from the poetic logbook of our performance-based film works sin∞fin in Antarctica.
ISBN 9789079344024.
CheFare – PUBLIC / Accademia Unidee
Opinioni di un performer: il rapporto con il pubblico tra seduzioni digitali e spostamenti reali
da Andrea Pagnes, December 2022
El Rizo Robado
By Andrea Pagnes
"Temporary Artistic Community"
By Andrea Pagnes & Verena Stenke
First published on III Venice International Performance Art Week 2016, Venice: VestAndPage press, 2017
"Collective Performance Opera"
By Andrea Pagnes & Verena Stenke
A possible definition of VestAndPage's collective performance operas, 2017
"Plantain: How We Walk With Time"
By Andrea Pagnes & Verena Stenke
Film research, 2015
To remember is likewise dancing with the mind between myth-making, truth and forgetfulness. [continue reading]
sin∞fin – Performances at the End of the World
By Andrea Pagnes & Verena Stenke
VestAndPage press, 2010
DVD & film textbook
Standing (up), sitting (on a chair), lying (on the bed), sometimes even waiting for what is going to happen; and yet to be perfectly aware that what is going to happen has somehow already happened. A body enclosed in a circle seems to be always waiting for something, inside of which it may happen, or always makes an effort to become 'something'.
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sin∞fin – Performances at the Holy Centre
By Andrea Pagnes & Verena Stenke
VestAndPage press, 2011
DVD & film textbook
Yet, still flaws in the system. Modernity's great promise, the freedom from fear, now lies in ruins. Fear as medium, not as a message. Fear as a collateral effect, the force behind progress. Fear as a refuge, home, style, character, tradition. Fear to take a chance, scoring the aces that plays and wins, caressing, embarrassing. Fear manages. Fear rocks. My fear begins where someone else's fear ends.
+ Download as pdf: English | हिंदी | 汉语
sin∞fin – Performances at the Core of the Looking-Glass
By Andrea Pagnes & Verena Stenke